Bits and Pieces

Wednesday, June 28th, 2006

Sacrificing the visual

One of the main reasons I was excited about this festival was that Jerry Read Smith was going to be there. I haven’t seen him in several years, and I wanted him to look at my dulcimer, sort of give it a checkup, especially to see if anything needed to be adjusted to make tuning easier for me.

Basically he did two things he’d told me I could do myself, but that I hadn’t wanted to do without an expert there in person to make sure it was the right thing to do. First of all, he took a hammer to any pins that were sticking or slipping, seating them further into the pinblock.

Secondly, he moved some of the strings up or down on the side saddles. I confess that I’ve always hated this idea. I find it visually distracting to have some strings not absolutely parallel to the others. And it bothers my idealism — ideally, the strings should all be absolutely parallel and tune just fine. Seems to me there must be something else wrong if they’re straight but not tuning properly. Jerry — and Dan — would like to persuade me that sometimes it’s just the best solution, and that the visual aspect is simply not that important. Sigh.

Loosening up

The first meaning…

Sunday afternoon Dan watched me play with regular hammers, and he thinks the way I play with my left hand is likely to lead to injury. My left hand doesn’t work the way my right does, at least not naturally or automatically. To compensate, I’d developed a finger flick — hitting the back of the hammer grip with a middle finger — that helps me get a nice clear tone and good accuracy with my left hand.

I know there are other players who do this — Nick Blanton and Tim Seaman among them. However, maybe they use their wrists better than I do. I didn’t think I moved either of my wrists while playing, and I didn’t think it mattered. In fact, I thought it was a good thing, preventing carpal tunnel syndrome. Dan said my right wrist does move just a little, nice and loose, but that my left one is locked stiff.

Those of us standing around talked about the whole ergonomics thing for a while, and the consensus seems to be that the more muscle groups involved, the better, and the more loose and relaxed these muscles are, the better. Dan doesn’t even really hold his hammers — they balance on his finger, and his thumb keeps them from falling.

So I need to think about what I can do to loosen up my left wrist, and the grip of both hands on the hammers.

The second meaning…

I tend to think fear is safer than arrogance. I suspect people will like me better if I need to be encouraged, reassured, than if I need to be taken down a few pegs.

It’s not really that simple. Being too fearful is just as annoying — but in a different way. It gets old pretty fast to those who have to do the encouraging and reassuring; the fearful person makes a high-maintenance friend.

The most comfortable people to be around are neither overly fearful nor arrogant, but comfortable with themselves.

For whatever reason — yet another symptom of pregnancy, lol? — I felt just a little bit more comfortable with myself at this festival than I have at similar occasions in the past.

It was nice.

Hammers

Several people noticed my flexible shaft, angled cimbalom grip hammers from Sam Rizzetta. One person who has arthritis thinks she’ll look into getting a pair for herself. Other folks, including Dan and Christie, found them awkward. Dan said it would be impossible to play the kinds of things he plays with those hammers — percussion stuff is too fast, and the flexibility loses too much energy and requires more muscle. Interesting. So far, I still like them for keeping my thumbs loose, but I admit that I miss the sound of my old regular hammers.

Chattanooga Dulcimer Festival

Wednesday, June 28th, 2006

Last night I got back from the Chattanooga Dulcimer Festival. I have so much to say about this weekend that I think I’ll break it up into several individual posts. Meanwhile, here’s a few pictures:

Alyce, Sharon, and Carol traveled together from Ohio. We stayed in the same guest house along with luthier Jerry Read Smith and Doug, who works in Jerry’s store. We had a great time hanging out together for breakfast, dinner, and evenings. This picture was taken with Sharon’s camera, but I forget who took it for us!

Those of us in the guest house all arrived Thursday evening. The festival began Friday morning with two 90-minute classes followed by lunch, another class, a break for jamming or practice, dinner, then the evening concert. Saturday’s schedule was about the same.

During lunch both days there was a mini-concert. I played on Friday, and Stephen Humphries on Saturday. I did a bit of classical, several originals including the one I’m singing in the picture, and “What Child Is This? / Menuet.”

This picture is one of the many Brad Bower took over the weekend.

Sunday everyone who was sticking around headed downtown to jam at the aquarium.

Some of us had to stop for snacks occasionally.

Kathy Angus (wife of Rob, who is seated at the right playing the Nick Blanton dulcimer) took these two pictures.

See more photos at the official festival site.

No more PT

Thursday, June 1st, 2006

This week my PT is retiring.

At our appointment, we agreed that since we’re seeing maintenance rather than progress at this point, we might as well stop. If my hands get worse in the next few months, I can get a new referral, but perhaps I can continue the maintenance.

Even though my hands aren’t 100% wonderful, I have made progress since all this started in the fall — as measured by the PT’s pinch tests and a weighted questionnaire and by both of our evaluations. I can play longer, I’ve started knitting again, and when I do hurt it is less severe and doesn’t last as long — of course I still have to be careful not to overwork, to be aware of my hands and when I need to rest and stretch.

Becoming Three

Monday, May 8th, 2006

On or within a week or two of November 8, there will be three Prochaskas in the house.

As far as the dulcimer goes — I will continue to teach and perform probably into October; chances are I will resume teaching and performing whenever I start getting enough sleep to have enough energy for anything but baby care. Since this is our first child, these predictions are just estimates, of course.

First market day

Saturday, April 15th, 2006

The Ithaca Farmers Market has been going since the first weekend in April. I made my first appearance today, and was fortunate to be able to play.

There are still lots of empty booths, but soon enough the market will be full.

It was a lovely sunny day, even though a stiff wind from the lake kept me chilled, standing in the shade of the market’s pavilion.

I was able to play about three hours, which is exciting, considering the tendinitis situation. I might have even played longer, except I was cold and running out of ideas and thought it would be better not to push it just yet. After all, since the Christmas season I haven’t played longer than an hour, even practicing at home.

It was nice to be back at my favorite venue. To see the friendly crowd and some familiar faces of vendors and visitors. And the chicken curry over udon noodles was a lovely lunch for a windy day.